The result is undoubtedly an impressionistic odyssey that spans time and space. Seasons transform as backdrops shift from cityscapes to rolling farmland and back. Destinations are never specified, but lettering on indications and snippets of speech lend clues regarding where Akerman has placed her camera on any given occasion.
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Set in Philadelphia, the film follows Dunye’s attempt to make a documentary about Fae Richards, a fictional Black actress from the 1930s whom Cheryl discovers playing a stereotypical mammy role. Struck by her beauty and yearning to get a film history that displays someone who looks like her, Cheryl embarks over a journey that — while fictional — tellingly yields more fruit than the real Dunye’s ever experienced.
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the tip credits gag reel (which mines “Jackass”-stage laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan set himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble within the Bronx” there was no turning back. —DE
Out in the gate, “My very own Private Idaho” promises an uncompromising experience, opening on a close-up of River Phoenix getting a blowjob. There’s a subversion here of Phoenix’s up-til-now raffish Hollywood image, and the moment establishes the level of vulnerability the actors, both playing extremely sensitive male sex workers, will placed on display.
Seen today, steeped in nostalgia for your freedoms of a pre-handover Hong Kong, “Chungking Specific” still feels new. The film’s lasting power is especially impressive from the face of such a fast-paced world; a world in which nothing could be more worthwhile than a concrete offer from someone willing to share the same future with you — even if that offer is composed on a napkin. —DE
Davis renders period piece scenes as being a Oscar Micheaux-encouraged black-and-white silent film replete with inclusive intertitles and archival photographs. A person particularly heart-warming scene finds Arthur and Malindy seeking refuge by watching a movie in a very theater. It’s brief, but exudes Black joy by granting a rare historical nod recognizing how Black people in the previous experienced more than crushing hardships.
The Taiwanese master established himself as the true, uncompromising heir to Carl Dreyer with “Flowers of Shanghai,” which arrives while in the ‘90s much the best way “Gertrud” did from the ‘60s: a film of such luminous beauty and singular style that it exists outside in the time in which it had been made altogether.
Mahamat-Saleh Haroun is among Africa’s greatest living filmmakers, and while he sets the vast majority of his films in his indigenous Chad, some others look at Africans having difficulties in lingerie porn France, where he has settled for most of his adult life.
Utilizing his charming curmudgeon persona in sarah vandella arguably the best performance of his career, Invoice Murray stars since the kind of male not a soul is fairly cheering for: wise aleck TV weatherman Phil Connors, who has never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark features of what happens to Phil when he alights to Punxsutawney, PA to cover its once-a-year Groundhog Working day event — for your briefest of refreshers: that he znxx gets caught inside a time loop, seemingly doomed to only ever live this Unusual holiday in this uncomfortable town forever — Ramis was intent on tapping into the inherent comedy of your premise. What a good gamble.
had the confidence or maybe the copyright or whatever the hell it took to attempt something like this, because the bigger the movie gets, the more it seems like it couldn’t afford to become any smaller.
Past that, this buried gem will always shine because of the simple knowledge it unearths inside the story of two people who come to appreciate the good fortune of finding each other. “There’s no wrong road,” Gabor concludes, poenhub “only terrible company.” —DE
The film offers on the list of most enigmatic titles of the 10 years, the Bizarre, sonorous juxtaposition of those two words almost always presented within the original French. It could be read as “beautiful work” in English — but the thought of red wap describing work as “beautiful” is somehow dismissive, as In case the legionnaires’ highly choreographed routines and domestic tasks are more of the performance than part of an advanced military system.